Publishing

A song earns in places a recording never touches — radio, live performance, television, cover versions, lyric sites. Guerra Records Publishing registers your works properly and collects what they generate, worldwide.

What we actually do

Registration

Works registered with the relevant societies and the correct splits recorded at the source, so royalties are not sitting unmatched years later.

Collection

Performance, mechanical and digital income collected across territories, including the sub-publishing arrangements most writers never see.

Splits, agreed in writing

Settled before release, signed by everyone in the room. The argument you avoid is the one you have in advance.

Statements you can audit

Twice a year, itemized by source and territory, with the right to inspect the workings written into the agreement.

Terms, stated plainly

  • We do not take a publishing share as a condition of a recording deal. They are separate agreements and you may sign one without the other.
  • Administration deals leave the copyright with you — we collect and account, and take a percentage of what we actually collect.
  • Co-publishing deals are available where we are investing in the writer directly, and the share is negotiated, not fixed.
  • Nothing we offer is perpetual by default. Every agreement has a term and a reversion.